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Slim README, move algorithm prose to docs, add stills + per-fps TC to cutter report

Browse Source 
README: 550 -> 308 lines. The dense algorithm prose was moved verbatim to
docs/ALGORITHM.md and replaced in the README with a compact "Wenn ein Match
falsch wirkt" troubleshooting table and a link. The cutter-facing intro
points at the new in-report stills instead of the old HTML report.

Cutter report:
- Per-side frame rates: trailer timecodes use the trailer file's fps
  (typically 25), source timecodes use the source file's fps. ffprobe is
  used to detect each side; falls back to edl_frame_rate if unavailable.
- Side-by-side trailer/source preview stills extracted via ffmpeg, taken
  ~30% into the beat / match window. Stored under output/cutter_stills/
  (gitignored). Re-rendered only when the underlying video is newer than
  the cached jpg.
- Compact table at the top, detailed per-beat sections below with the
  stills inline so the cutter can sight-check phase agreement directly.
- New --no-stills flag for fast text-only regeneration.

Co-Authored-By: Claude Opus 4.7 <noreply@anthropic.com>
This commit is contained in:
Melbar
2026-05-04 13:24:19 +02:00
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CUTTER_REPORT.md
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# Cutter-Report — manuelles Nachschneiden
Stand: 2026-05-04. Frame-Rate: 23.976 fps. Source: BehindTheRedDoor_FTR_1080P_2398_Fixed.mp4 — Trailer: BehindTheRedDoor_Trailer_REFERENCE.mp4.
Stand: 2026-05-04
Diese Datei wird automatisch aus dem Match-Cache erzeugt. Nach jedem `python cli.py match` mit `python scripts/generate_cutter_report.py` neu generieren.
- **Trailer**: `BehindTheRedDoor_Trailer_REFERENCE.mp4` @ 25.000 fps
- **Source** : `BehindTheRedDoor_FTR_1080P_2398_Fixed.mp4` @ 25.000 fps
## Wie diese Tabelle zu lesen ist
Trailer-Timecodes sind in **Trailer-Framerate** angegeben, Source-Timecodes in **Source-Framerate**. So passen sie 1:1 zu dem, was du in deinem NLE auf den jeweiligen Spuren siehst.
- **Beat**: Nummer im Referenz-Trailer.
- **Trailer In/Out**: SMPTE-Position des Beats im Trailer (h:mm:ss:ff).
- **Source In/Out**: vorgeschlagene Position im Quellfilm. Bei `MAN.` selbst aussuchen.
- **Scene**: ID der Source-Szene aus PySceneDetect (nur fuer Debug-Zwecke).
- **Score**: 0..1, je hoeher desto besser. >=0.65 ist als bestaetigt eingestuft.
- **Status**:
- `OK` — bestaetigt durch CV + Vision-Phasenpruefung, kann ohne weitere Pruefung uebernommen werden.
- `?` — vorlaeufig, korrekte Szene aber Score unter 0.65; Bewegungsphase im Vorschauclip pruefen und ggf. um wenige Frames verschieben.
- `MAN.` — kein automatischer Treffer; entweder manuell suchen oder als Schwarzfade/Titel uebernehmen.
- **Phase**: was im Trailerbeat zu sehen ist (aus Vision-Beschreibung). Hilft dir, die richtige Stelle im Source zu finden.
Diese Datei wird automatisch erzeugt — nach jedem `python cli.py match` neu generieren mit:
## Status-Uebersicht
```powershell
python scripts/generate_cutter_report.py
```
- **Beats gesamt**: 25
- **Automatisch gefunden**: 20 (5 davon bestaetigt)
- **Manuell zu setzen**: 5
## Status-Legende
## Beat-Tabelle
| Status | Bedeutung | Was tun? |
|--------|-----------|----------|
| `OK` | bestätigt durch CV + Vision-Phasenprüfung | übernehmen, optional stichprobenartig sichten |
| `?` | korrekte Szene, Phase eventuell um wenige Frames verschoben | im NLE prüfen, Source-In ggf. nachjustieren |
| `MAN.` | kein automatischer Treffer | manuell suchen oder als Schwarzfade/Titel übernehmen |
| Beat | Trailer In / Out | Source In / Out | Scene | Score | Status | Was im Bild zu sehen ist |
|-----:|------------------|------------------|------:|------:|:------:|---------------------------|
| 0 | 00:00:00:00-00:00:03:00 | —-— | — | 0.000 | MAN. | logo animation assembling from distorted shapes with motion blur |
| 1 | 00:00:03:00-00:00:08:10 | 00:00:04:09-00:00:06:03 | 1 | 0.380 | ? | |
| 2 | 00:00:08:10-00:00:16:23 | —-— | — | 0.000 | MAN. | |
| 3 | 00:00:16:23-00:00:19:03 | 01:02:17:22-01:02:19:14 | 436 | 0.469 | ? | |
| 4 | 00:00:19:03-00:00:20:15 | 01:02:21:01-01:02:22:10 | 437 | 0.647 | ? | |
| 5 | 00:00:20:15-00:00:26:09 | 00:01:33:04-00:01:37:10 | 10 | 0.501 | ? | |
| 6 | 00:00:26:09-00:00:29:06 | 00:01:03:06-00:01:05:21 | 5 | 0.548 | ? | |
| 7 | 00:00:29:06-00:00:31:16 | 01:20:10:10-01:20:12:16 | 553 | 0.463 | ? | man appears to be engaged in conversation |
| 8 | 00:00:31:16-00:00:33:15 | 00:00:51:07-00:00:53:01 | 5 | 0.733 | OK | static or slow drifting |
| 9 | 00:00:33:15-00:00:36:18 | 01:20:28:20-01:20:31:17 | 557 | 0.529 | ? | speaking, transitioning from closed eyes to open mouth and focused gaze |
| 10 | 00:00:36:18-00:00:40:02 | 01:20:35:16-01:20:39:00 | 558 | 0.635 | ? | conversation |
| 11 | 00:00:40:02-00:00:42:03 | 01:20:40:18-01:20:42:18 | 559 | 0.502 | ? | static talking head with slight facial expression changes |
| 12 | 00:00:42:03-00:00:50:06 | 01:14:26:01-01:14:29:10 | 519 | 0.558 | ? | static profile shot transitioning to black/darkness |
| 13 | 00:00:50:06-00:00:53:20 | 00:43:20:02-00:43:23:10 | 308 | 0.468 | ? | static conversation; woman on right is standing and holding a cup |
| 14 | 00:00:53:20-00:00:57:02 | 00:43:24:09-00:43:27:04 | 309 | 0.444 | ? | static conversation, subject holding a white cup |
| 15 | 00:00:57:02-00:01:01:12 | 00:02:10:11-00:02:12:16 | 0 | 0.467 | ? | static conversation |
| 16 | 00:01:01:12-00:01:04:12 | 01:05:12:16-01:05:15:06 | 451 | 0.613 | ? | man reaches out and touches the red door with a small object |
| 17 | 00:01:04:12-00:01:09:03 | 01:31:22:10-01:31:24:09 | 623 | 0.684 | OK | Static intimacy transitioning to a spatial arrangement of figures |
| 18 | 00:01:09:03-00:01:10:18 | 00:09:13:12-00:09:14:19 | 75 | 0.668 | OK | Woman in foreground turns her head from profile to face the camera while speaking |
| 19 | 00:01:10:18-00:01:12:12 | 00:16:48:14-00:16:49:15 | 126 | 0.717 | OK | static conversation, subtle facial expression change |
| 20 | 00:01:12:12-00:01:15:13 | 01:28:04:17-01:28:05:14 | 613 | 0.663 | OK | man kisses woman's forehead, then they pull back slightly to face each other |
| 21 | 00:01:15:13-00:01:17:12 | —-— | — | 0.000 | MAN. | hand raised to mouth, slight facial movement |
| 22 | 00:01:17:12-00:01:19:22 | 01:03:05:16-01:03:07:10 | 442 | 0.545 | ? | |
| 23 | 00:01:19:22-00:01:25:13 | —-— | — | 0.000 | MAN. | |
| 24 | 00:01:25:13-00:01:32:07 | —-— | — | 0.000 | MAN. | |
## Übersicht
## Beats die manuelle Aufmerksamkeit brauchen
- Beats gesamt: **25**
- Automatisch gefunden: **20** (5 davon bestätigt)
- Manuell zu setzen: **5**
### Manuell setzen (Status `MAN.`)
## Beat-Tabelle (kompakt)
- **Beat 0** 00:00:00:00-00:00:03:00: logo animation assembling from distorted shapes with motion blur
- **Beat 2** 00:00:08:10-00:00:16:23: keine Vision-Beschreibung — vermutlich Title-Card / Fade / Logo
- **Beat 21** 00:01:15:13-00:01:17:12: hand raised to mouth, slight facial movement
- **Beat 23** 00:01:19:22-00:01:25:13: keine Vision-Beschreibung — vermutlich Title-Card / Fade / Logo
- **Beat 24** 00:01:25:13-00:01:32:07: keine Vision-Beschreibung — vermutlich Title-Card / Fade / Logo
| Beat | Trailer In / Out | Source In / Out | Score | Status | Was im Bild zu sehen ist |
|-----:|------------------|------------------|------:|:------:|---------------------------|
| 0 | 00:00:00:00-00:00:03:00 | —-— | 0.000 | MAN. | logo animation assembling from distorted shapes with motion blur |
| 1 | 00:00:03:00-00:00:08:10 | 00:00:04:10-00:00:06:04 | 0.380 | ? | |
| 2 | 00:00:08:10-00:00:16:24 | —-— | 0.000 | MAN. | |
| 3 | 00:00:16:24-00:00:19:03 | 01:02:17:23-01:02:19:15 | 0.469 | ? | |
| 4 | 00:00:19:03-00:00:20:16 | 01:02:21:01-01:02:22:10 | 0.647 | ? | |
| 5 | 00:00:20:16-00:00:26:09 | 00:01:33:04-00:01:37:10 | 0.501 | ? | |
| 6 | 00:00:26:09-00:00:29:06 | 00:01:03:06-00:01:05:22 | 0.548 | ? | |
| 7 | 00:00:29:06-00:00:31:17 | 01:20:10:11-01:20:12:17 | 0.463 | ? | man appears to be engaged in conversation |
| 8 | 00:00:31:17-00:00:33:16 | 00:00:51:07-00:00:53:01 | 0.733 | OK | static or slow drifting |
| 9 | 00:00:33:16-00:00:36:19 | 01:20:28:20-01:20:31:17 | 0.529 | ? | speaking, transitioning from closed eyes to open mouth and focused gaze |
| 10 | 00:00:36:19-00:00:40:02 | 01:20:35:17-01:20:39:00 | 0.635 | ? | conversation |
| 11 | 00:00:40:02-00:00:42:03 | 01:20:40:19-01:20:42:19 | 0.502 | ? | static talking head with slight facial expression changes |
| 12 | 00:00:42:03-00:00:50:06 | 01:14:26:01-01:14:29:10 | 0.558 | ? | static profile shot transitioning to black/darkness |
| 13 | 00:00:50:06-00:00:53:21 | 00:43:20:02-00:43:23:11 | 0.468 | ? | static conversation; woman on right is standing and holding a cup |
| 14 | 00:00:53:21-00:00:57:02 | 00:43:24:09-00:43:27:04 | 0.444 | ? | static conversation, subject holding a white cup |
| 15 | 00:00:57:02-00:01:01:12 | 00:02:10:11-00:02:12:17 | 0.467 | ? | static conversation |
| 16 | 00:01:01:12-00:01:04:12 | 01:05:12:17-01:05:15:06 | 0.613 | ? | man reaches out and touches the red door with a small object |
| 17 | 00:01:04:12-00:01:09:03 | 01:31:22:11-01:31:24:09 | 0.684 | OK | Static intimacy transitioning to a spatial arrangement of figures |
| 18 | 00:01:09:03-00:01:10:19 | 00:09:13:13-00:09:14:20 | 0.668 | OK | Woman in foreground turns her head from profile to face the camera while speakin |
| 19 | 00:01:10:19-00:01:12:13 | 00:16:48:15-00:16:49:16 | 0.717 | OK | static conversation, subtle facial expression change |
| 20 | 00:01:12:13-00:01:15:14 | 01:28:04:18-01:28:05:15 | 0.663 | OK | man kisses woman's forehead, then they pull back slightly to face each other |
| 21 | 00:01:15:14-00:01:17:13 | —-— | 0.000 | MAN. | hand raised to mouth, slight facial movement |
| 22 | 00:01:17:13-00:01:19:23 | 01:03:05:16-01:03:07:10 | 0.545 | ? | |
| 23 | 00:01:19:23-00:01:25:14 | —-— | 0.000 | MAN. | |
| 24 | 00:01:25:14-00:01:32:07 | —-— | 0.000 | MAN. | |
### Vorlaeufig (Status `?`) — bitte sichten
## Beat-Details mit Vorschau-Stills
| Beat | Score | Source In | Phase laut Vision |
|-----:|------:|-----------|--------------------|
| 1 | 0.380 | 00:00:04:09 | |
| 3 | 0.469 | 01:02:17:22 | |
| 4 | 0.647 | 01:02:21:01 | |
| 5 | 0.501 | 00:01:33:04 | |
| 6 | 0.548 | 00:01:03:06 | |
| 7 | 0.463 | 01:20:10:10 | man appears to be engaged in conversation |
| 9 | 0.529 | 01:20:28:20 | speaking, transitioning from closed eyes to open mouth and focused gaze |
| 10 | 0.635 | 01:20:35:16 | conversation |
| 11 | 0.502 | 01:20:40:18 | static talking head with slight facial expression changes |
| 12 | 0.558 | 01:14:26:01 | static profile shot transitioning to black/darkness |
| 13 | 0.468 | 00:43:20:02 | static conversation; woman on right is standing and holding a cup |
| 14 | 0.444 | 00:43:24:09 | static conversation, subject holding a white cup |
| 15 | 0.467 | 00:02:10:11 | static conversation |
| 16 | 0.613 | 01:05:12:16 | man reaches out and touches the red door with a small object |
| 22 | 0.545 | 01:03:05:16 | |
### Beat 00 — Status `MAN.`
### Bestaetigt (Status `OK`) — kann uebernommen werden
- **Trailer**: 00:00:00:00 – 00:00:03:00
- **Source** : — (kein Treffer; manuell setzen)
- **Phase** : logo animation assembling from distorted shapes with motion blur
- **Bild** : centered, symmetrical, abstract black void
| Beat | Score | Source In | Phase laut Vision |
|-----:|------:|-----------|--------------------|
| 8 | 0.733 | 00:00:51:07 | static or slow drifting |
| 17 | 0.684 | 01:31:22:10 | Static intimacy transitioning to a spatial arrangement of figures |
| 18 | 0.668 | 00:09:13:12 | Woman in foreground turns her head from profile to face the camera while speaking |
| 19 | 0.717 | 00:16:48:14 | static conversation, subtle facial expression change |
| 20 | 0.663 | 01:28:04:17 | man kisses woman's forehead, then they pull back slightly to face each other |
| Trailer | Source |
|---|---|
| ![Trailer beat 0](output/cutter_stills/beat_00_trailer.jpg) | _(kein Still)_ |
## Hinweise zur Pruefung
### Beat 01 — Status `?`
1. Source-Times sollten zur jeweiligen Trailer-Bewegungsphase passen. Wenn nicht: Source-In innerhalb derselben Source-Szene wenige Frames vor/zurueck verschieben.
2. Wenn der Source-Clip kuerzer ist als der Trailerbeat (Source-Out < Trailer-Out gerechnet ab Source-In), enthaelt der Trailerbeat eine Blende/Titelkarte; im Schnitt mit Schwarzfade oder Source-Tail auffuellen.
3. `OK`-Beats sind durch CV + Vision-Phasenpruefung doppelt verifiziert; trotzdem stichprobenartig sichten.
- **Trailer**: 00:00:03:00 – 00:00:08:10
- **Source** : 00:00:04:10 – 00:00:06:04 (scene 1, score 0.380)
- **Phase** : (keine Vision-Beschreibung)
| Trailer | Source |
|---|---|
| ![Trailer beat 1](output/cutter_stills/beat_01_trailer.jpg) | ![Source beat 1](output/cutter_stills/beat_01_source.jpg) |
### Beat 02 — Status `MAN.`
- **Trailer**: 00:00:08:10 – 00:00:16:24
- **Source** : — (kein Treffer; manuell setzen)
- **Phase** : (keine Vision-Beschreibung)
| Trailer | Source |
|---|---|
| ![Trailer beat 2](output/cutter_stills/beat_02_trailer.jpg) | _(kein Still)_ |
### Beat 03 — Status `?`
- **Trailer**: 00:00:16:24 – 00:00:19:03
- **Source** : 01:02:17:23 – 01:02:19:15 (scene 436, score 0.469)
- **Phase** : (keine Vision-Beschreibung)
| Trailer | Source |
|---|---|
| ![Trailer beat 3](output/cutter_stills/beat_03_trailer.jpg) | ![Source beat 3](output/cutter_stills/beat_03_source.jpg) |
### Beat 04 — Status `?`
- **Trailer**: 00:00:19:03 – 00:00:20:16
- **Source** : 01:02:21:01 – 01:02:22:10 (scene 437, score 0.647)
- **Phase** : (keine Vision-Beschreibung)
| Trailer | Source |
|---|---|
| ![Trailer beat 4](output/cutter_stills/beat_04_trailer.jpg) | ![Source beat 4](output/cutter_stills/beat_04_source.jpg) |
### Beat 05 — Status `?`
- **Trailer**: 00:00:20:16 – 00:00:26:09
- **Source** : 00:01:33:04 – 00:01:37:10 (scene 10, score 0.501)
- **Phase** : (keine Vision-Beschreibung)
| Trailer | Source |
|---|---|
| ![Trailer beat 5](output/cutter_stills/beat_05_trailer.jpg) | ![Source beat 5](output/cutter_stills/beat_05_source.jpg) |
### Beat 06 — Status `?`
- **Trailer**: 00:00:26:09 – 00:00:29:06
- **Source** : 00:01:03:06 – 00:01:05:22 (scene 5, score 0.548)
- **Phase** : (keine Vision-Beschreibung)
| Trailer | Source |
|---|---|
| ![Trailer beat 6](output/cutter_stills/beat_06_trailer.jpg) | ![Source beat 6](output/cutter_stills/beat_06_source.jpg) |
### Beat 07 — Status `?`
- **Trailer**: 00:00:29:06 – 00:00:31:17
- **Source** : 01:20:10:11 – 01:20:12:17 (scene 553, score 0.463)
- **Phase** : man appears to be engaged in conversation
- **Bild** : man in a light gray sweater and scarf, seated on a white couch, with a window in the background, indoor with a view of the ocean
| Trailer | Source |
|---|---|
| ![Trailer beat 7](output/cutter_stills/beat_07_trailer.jpg) | ![Source beat 7](output/cutter_stills/beat_07_source.jpg) |
### Beat 08 — Status `OK`
- **Trailer**: 00:00:31:17 – 00:00:33:16
- **Source** : 00:00:51:07 – 00:00:53:01 (scene 5, score 0.733)
- **Phase** : static or slow drifting
- **Bild** : close-up, diagonal curve from top-left to bottom-center, dark, indistinct void
| Trailer | Source |
|---|---|
| ![Trailer beat 8](output/cutter_stills/beat_08_trailer.jpg) | ![Source beat 8](output/cutter_stills/beat_08_source.jpg) |
### Beat 09 — Status `?`
- **Trailer**: 00:00:33:16 – 00:00:36:19
- **Source** : 01:20:28:20 – 01:20:31:17 (scene 557, score 0.529)
- **Phase** : speaking, transitioning from closed eyes to open mouth and focused gaze
- **Bild** : medium close-up, subject positioned right of center, profile/three-quarter view, indoor room next to a large window overlooking a blue horizon/sea
| Trailer | Source |
|---|---|
| ![Trailer beat 9](output/cutter_stills/beat_09_trailer.jpg) | ![Source beat 9](output/cutter_stills/beat_09_source.jpg) |
### Beat 10 — Status `?`
- **Trailer**: 00:00:36:19 – 00:00:40:02
- **Source** : 01:20:35:17 – 01:20:39:00 (scene 558, score 0.635)
- **Phase** : conversation
- **Bild** : alternating close-ups and a medium two-shot, indoor living room with large windows showing a blue exterior landscape
| Trailer | Source |
|---|---|
| ![Trailer beat 10](output/cutter_stills/beat_10_trailer.jpg) | ![Source beat 10](output/cutter_stills/beat_10_source.jpg) |
### Beat 11 — Status `?`
- **Trailer**: 00:00:40:02 – 00:00:42:03
- **Source** : 01:20:40:19 – 01:20:42:19 (scene 559, score 0.502)
- **Phase** : static talking head with slight facial expression changes
- **Bild** : medium close-up, subject positioned right of center, profile/three-quarter view facing left, indoor room with a large window showing a blue sea/horizon background
| Trailer | Source |
|---|---|
| ![Trailer beat 11](output/cutter_stills/beat_11_trailer.jpg) | ![Source beat 11](output/cutter_stills/beat_11_source.jpg) |
### Beat 12 — Status `?`
- **Trailer**: 00:00:42:03 – 00:00:50:06
- **Source** : 01:14:26:01 – 01:14:29:10 (scene 519, score 0.558)
- **Phase** : static profile shot transitioning to black/darkness
- **Bild** : medium close-up, profile view, subject positioned on the right side of the frame, dark outdoor environment, blurred trees in background
| Trailer | Source |
|---|---|
| ![Trailer beat 12](output/cutter_stills/beat_12_trailer.jpg) | ![Source beat 12](output/cutter_stills/beat_12_source.jpg) |
### Beat 13 — Status `?`
- **Trailer**: 00:00:50:06 – 00:00:53:21
- **Source** : 00:43:20:02 – 00:43:23:11 (scene 308, score 0.468)
- **Phase** : static conversation; woman on right is standing and holding a cup
- **Bild** : wide shot, two figures positioned on opposite sides of a round dining table, modern glass-walled sunroom or conservatory overlooking a snowy landscape
| Trailer | Source |
|---|---|
| ![Trailer beat 13](output/cutter_stills/beat_13_trailer.jpg) | ![Source beat 13](output/cutter_stills/beat_13_source.jpg) |
### Beat 14 — Status `?`
- **Trailer**: 00:00:53:21 – 00:00:57:02
- **Source** : 00:43:24:09 – 00:43:27:04 (scene 309, score 0.444)
- **Phase** : static conversation, subject holding a white cup
- **Bild** : medium shot, subject positioned on the left, vertical window frame dividing the right third of the frame, interior room with a large window overlooking a snowy pine forest
| Trailer | Source |
|---|---|
| ![Trailer beat 14](output/cutter_stills/beat_14_trailer.jpg) | ![Source beat 14](output/cutter_stills/beat_14_source.jpg) |
### Beat 15 — Status `?`
- **Trailer**: 00:00:57:02 – 00:01:01:12
- **Source** : 00:02:10:11 – 00:02:12:17 (scene 0, score 0.467)
- **Phase** : static conversation
- **Bild** : medium shot, profile view of two characters facing each other, indoor room with a large window overlooking a snowy forest
| Trailer | Source |
|---|---|
| ![Trailer beat 15](output/cutter_stills/beat_15_trailer.jpg) | ![Source beat 15](output/cutter_stills/beat_15_source.jpg) |
### Beat 16 — Status `?`
- **Trailer**: 00:01:01:12 – 00:01:04:12
- **Source** : 01:05:12:17 – 01:05:15:06 (scene 451, score 0.613)
- **Phase** : man reaches out and touches the red door with a small object
- **Bild** : medium side profile shot, subject on left, door on right, indoor dim environment, adjacent to a red wooden door
| Trailer | Source |
|---|---|
| ![Trailer beat 16](output/cutter_stills/beat_16_trailer.jpg) | ![Source beat 16](output/cutter_stills/beat_16_source.jpg) |
### Beat 17 — Status `OK`
- **Trailer**: 00:01:04:12 – 00:01:09:03
- **Source** : 01:31:22:11 – 01:31:24:09 (scene 623, score 0.684)
- **Phase** : Static intimacy transitioning to a spatial arrangement of figures
- **Bild** : Medium shot, eye-level. First two frames: static shot of couple in bed. Third frame: wide shot of women among white blocks, Bedroom with bedside table and lamp; transition to a white minimalist interior with pedestals
| Trailer | Source |
|---|---|
| ![Trailer beat 17](output/cutter_stills/beat_17_trailer.jpg) | ![Source beat 17](output/cutter_stills/beat_17_source.jpg) |
### Beat 18 — Status `OK`
- **Trailer**: 00:01:09:03 – 00:01:10:19
- **Source** : 00:09:13:13 – 00:09:14:20 (scene 75, score 0.668)
- **Phase** : Woman in foreground turns her head from profile to face the camera while speaking
- **Bild** : Medium shot, three-quarter profile of woman in foreground left, two women positioned behind her to the right, Indoors, minimalist dark background
| Trailer | Source |
|---|---|
| ![Trailer beat 18](output/cutter_stills/beat_18_trailer.jpg) | ![Source beat 18](output/cutter_stills/beat_18_source.jpg) |
### Beat 19 — Status `OK`
- **Trailer**: 00:01:10:19 – 00:01:12:13
- **Source** : 00:16:48:15 – 00:16:49:16 (scene 126, score 0.717)
- **Phase** : static conversation, subtle facial expression change
- **Bild** : medium close-up, over-the-shoulder shot with a blurred figure in the foreground right, outdoor dark forest or wooded area
| Trailer | Source |
|---|---|
| ![Trailer beat 19](output/cutter_stills/beat_19_trailer.jpg) | ![Source beat 19](output/cutter_stills/beat_19_source.jpg) |
### Beat 20 — Status `OK`
- **Trailer**: 00:01:12:13 – 00:01:15:14
- **Source** : 01:28:04:18 – 01:28:05:15 (scene 613, score 0.663)
- **Phase** : man kisses woman's forehead, then they pull back slightly to face each other
- **Bild** : extreme close-up, profile view, faces facing each other, indoor, blurred background
| Trailer | Source |
|---|---|
| ![Trailer beat 20](output/cutter_stills/beat_20_trailer.jpg) | ![Source beat 20](output/cutter_stills/beat_20_source.jpg) |
### Beat 21 — Status `MAN.`
- **Trailer**: 00:01:15:14 – 00:01:17:13
- **Source** : — (kein Treffer; manuell setzen)
- **Phase** : hand raised to mouth, slight facial movement
- **Bild** : extreme close-up, face partially obscured by shadow, dark interior
| Trailer | Source |
|---|---|
| ![Trailer beat 21](output/cutter_stills/beat_21_trailer.jpg) | _(kein Still)_ |
### Beat 22 — Status `?`
- **Trailer**: 00:01:17:13 – 00:01:19:23
- **Source** : 01:03:05:16 – 01:03:07:10 (scene 442, score 0.545)
- **Phase** : (keine Vision-Beschreibung)
| Trailer | Source |
|---|---|
| ![Trailer beat 22](output/cutter_stills/beat_22_trailer.jpg) | ![Source beat 22](output/cutter_stills/beat_22_source.jpg) |
### Beat 23 — Status `MAN.`
- **Trailer**: 00:01:19:23 – 00:01:25:14
- **Source** : — (kein Treffer; manuell setzen)
- **Phase** : (keine Vision-Beschreibung)
| Trailer | Source |
|---|---|
| ![Trailer beat 23](output/cutter_stills/beat_23_trailer.jpg) | _(kein Still)_ |
### Beat 24 — Status `MAN.`
- **Trailer**: 00:01:25:14 – 00:01:32:07
- **Source** : — (kein Treffer; manuell setzen)
- **Phase** : (keine Vision-Beschreibung)
| Trailer | Source |
|---|---|
| ![Trailer beat 24](output/cutter_stills/beat_24_trailer.jpg) | _(kein Still)_ |
## Hinweise zur Prüfung
1. Wenn die Bewegungsphase im Source-Still nicht zum Trailer-Still passt, im NLE den Source-In um wenige Frames verschieben — innerhalb derselben Source-Szene reicht das meistens.
2. Wenn der Source-Clip kürzer ist als der Trailerbeat (Source-Out < Trailer-Out), enthält der Trailerbeat eine Blende oder Titelkarte; im Schnitt mit Schwarzfade oder dem Source-Tail auffüllen.
3. `OK`-Beats sind doppelt verifiziert (CV + Vision-Phase). Trotzdem stichprobenartig sichten.
4. Stills liegen unter `output/cutter_stills/`. Bei Bedarf einzelne neu generieren: einfach die Datei löschen und das Skript erneut laufen lassen.